Vai al contenuto
Hub Nexus
Aggiornato

AutoreAncora senza autorePrendila in carico

Vedi qualcosa da migliorare? Proponi una modifica.

Sostegno

Questa pagina è pubblica.

Though American campaign music was nothing new to the 1880 presidential campaign season, the music style of James A. Garfield’s campaign marches and performers was directly reflective of the times. Garfield and vice presidential candidate Chester A. Arthur faced other candidates with ties to the Civil War and used their positions within the military as a point of popular interest in their platforms. Because of this, many of the post-Civil War campaign songs were marches. The 4/4 beats and Sousa- inspired melodies created catchy tunes that subconsciously reinforced the candidates as patriotic heroes.

Take Garfield’s journey to the Fifth Avenue Conference in New York City on August 5, 1880. As he arrived in Rochester, Batavia, Oneida, Rome, and Utica, the train stops were filled with crowds, cannons, rifles, and music. Even more patriotic was the reception at the conference itself. An outdoor torchlight parade on 23rd Street drew 50,000 people to Madison Square Park. "… Thousands of veterans marched in formation… Choirs sang, fireworks lit the sky, and the seventh regimental band played 'Hail to the Chief.'"

In many cases, these patriotic marches were also performed by military style bands. During the Civil War, most volunteer military units had a band. After the war, many of these musicians continued their craft within their communities in the form of community bands, club bands, and the band of the Grand Army of the Republic.

Bands such as these often helped “lead the march” of visitors to the Garfield home during the front porch campaign. Performers from Mentor, other Ohio groups, and even groups from other states would lead the way and provided an enjoyable atmosphere and morale while everyone waited for the man of the hour.

front page of candidate Garfield's campaign music

Campaign Sheet Music Library of Congress

The requested video is no longer available.

Political parties used campaign songs to help spread particular points of view and to build solidarity around candidates and platforms. The music could be transposed from large scale ensemble pieces to individual performer notation. Sheet music for campaign songs were popular parlor entertainment as families would play and sing music together. Take a listen to one of Garfield’s campaign parlor songs (above) and compare it to his primary rival Winfield Scott Hancock’s similar military march style jingle (below). Which one do you like?

cover sheet for Gen. Hancock's campaign music

Campaign Sheet Music Library of Congress

The requested video is no longer available.

Where this belongs

  • James A Garfield National Historic Site

Where this page came from

This page was imported from National Park Service. Produced by the U.S. National Park Service and, as a work of the United States government, in the public domain.

Nobody has written it yet — it is the source material at a new address, which is why search engines are asked to skip it and why no one earns from it. It is up for grabs: take it on, and it is yours to rewrite and to earn from.

LingueEnglish

Licenza: CC0 1.0 (pubblico dominio) · Tratto da www.nps.gov

Visualizzazioni

Commenti

Spinner Logo
Versione: 2CC0 1.0 (pubblico dominio)
The runaway star that left the Tarantula Nebula
Versione: 2CC0 1.0 (pubblico dominio)
The Eagle Nebula, seen in the infrared
Versione: 2CC0 1.0 (pubblico dominio)
The Cosmic Cliffs are not cliffs
Versione: 2CC0 1.0 (pubblico dominio)
The recommended targets are real, but the largest health gain is between doing nothing and doing a little. That is the part worth knowing if you are starting from nothing.
Versione: 2CC0 1.0 (pubblico dominio)
Sleep is not one state but a cycle through several, each doing different work. Most sleep disorders are a failure to complete that cycle rather than a shortage of hours.
Versione: 2CC0 1.0 (pubblico dominio)
Four nebulae that revealed the shape of our galaxy