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Chief Iron Tail, Sioux Indian, in Feather Headdress

In 1898 New York photographer Gertrude Käsebier (1852-1934) embarked on a deeply personal project, creating a set of prints that rank among the most compelling of her celebrated body of work. Käsebier was on the threshold of a career that would establish her as both the leading portraitist of her time and an extraordinary art photographer. Her new undertaking was inspired by viewing the grand parade of Buffalo Bill's Wild West troupe en route to Madison Square Garden for several weeks of performances.

Käsebier had spent her childhood on the Great Plains, and retained many vivid, happy memories of playing with nearby Native American children. She quickly sent a letter to William "Buffalo Bill" Cody (1846-1917), requesting permission to photograph Sioux Indians traveling with the show in her studio. Within weeks, Käsebier began a unique and special project photographing the Indians men, women, and children, formally and informally. Friendships developed, and her photography of these Native Americans continued for more than a decade.

Chief Iron Tail was the elder chief in the group of Sioux Indians selected by Buffalo Bill Cody to visit Gertrude Käsebier's photography studio. Iron Tail was a veteran of the Indian Wars, including the Battle of the Little Big Horn. Later, he became friendly with Buffalo Bill and traveled with the Wild West troupe for almost 20 years. Iron Tail was among several Native Americans whose profile inspired the face appearing on the United States buffalo nickel early in the 20th century.

Chief Iron Tail surprisingly agreed to remove his feather war bonnet for the portrait sitting with Käsebier, although the headdress and feathers were badges of his place and importance within the tribe. The photographer hoped to achieve "raw" photographs of each Sioux Indian, representing their individuality and personal character. Käsebier was pleased with her results and made a copy of the finished print for the chief. When Iron Tail saw the print, he immediately tore it in half, upset with the image. He later sat for Käsebier in full regalia.

Date madeca 1898
makerKasebier, Gertrude
Physical Descriptionplatinum print (overall material)
Physical Descriptionpaper (overall material)
Measurementsoverall: 20.1 cm x 14.9 cm; 7 15/16 in x 5 7/8 in
Credit LineMina Turner
ID NumberPG.69.236.039
accession number287543
catalog number69.236.039

Where this page came from

This page was imported from Smithsonian National Museum of American History. Released by the Smithsonian Institution under CC0 through Smithsonian Open Access.

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Licence: CC0 1.0 (public domain) · Adapted from n2t.net

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