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Valverde de Amusco, Juan. Anatomia del corpo humano. (Rome: Ant. Salamanca and Antonio Lafrery, 1560).

Juan Valverde de Amusco (or "de Hamusco") was born in the Kingdom of Leon in what is now Spain in about the year 1525 and studied medicine in Padua and Rome under Realdo Columbo and Bartolomeo Eustachi. He published several works on anatomy, including De animi et corporis sanitate tuenda libellus (Paris, 1552).

Valverde’s most famous work was Historia de la composicion del cuerpo humano, first published in Spanish in Rome, 1556. All but four of its 42 engraved copperplate illustrations were taken almost directly from Andreas Vesalius’ De humani corporis fabrica. Vesalius bitterly commented on Valverde’s plagiarism, accusing him of having performed very few dissections himself. Occasionally, however, Valverde corrected Vesalius’ images, as in his depictions of the muscles of the eyes, nose, and larynx. One of Valverde’s most striking original plates is that of a muscle figure holding his own skin in one hand and a knife in the other, which has been likened to Michelangelo’s Saint Bartholomew in the Last Judgment section of the Sistine Chapel.

The original illustrations were most likely drawn by Gaspar Becerra (1520?–1568?), a contemporary of Michelangelo, and the copperplate engravings are thought to have been carried out by Nicolas Beatrizet (1507?–1570?), whose initials "NB" appear on several of the plates.

The images scanned for Historical Anatomies on the Web are from NLM’s Italian edition printed in Rome in 1560. The Library’s first edition printed in Rome, 1556, has deep-seated dirt on many of the plates, which would have produced lower quality images for the project.

Further Reading:

Choulant, L. History and bibliography of anatomic illustration. Trans. and annotated by Mortimer Frank. (New York: Hafner, 1962), pp. 205-208.

Cushing, Harvey. A Bio-Bibliography of Andreas Vesalius. (New York: Schuman’s, 1943), pp. 146-148.

Plates

Title page of the Juan Valverde de Amusco's Anatomia del corpo humano.

Titlepage.

Page 27 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring a skeleton is standing while holding a stick in its left hand.

Page 3.

Page 29 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring a skeleton that is standing facing away with it's skull resting on its hands.

Page 29.

Page 33 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring a drawing of all of the bones in the body.

Page 33.

Page 64 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring a flayed cadaver holds his skin in his right hand and a dissecting knife in the other.

Page 64.

Page 68 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring a flayed cadaver with flaps of muscle in the arms, hands and legs fanned away to reveal muscles underneath them.

Page 68.

Page 70 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring a flayed cadaver with its head tilted back and flaps of muscle in the face, arms, hands and legs fanned away to reveal muscles underneath them.

Page 70.

Page 71 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring a flayed cadaver hanging by a rope tied around its head and left shoulder with the rib cage exposed.

Page 71.

Page 74 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring the backside of a flayed cadaver showing its muscles.

Page 74.

Page 75 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring the backside of a flayed cadaver with flaps of muscle in the arms, hands and legs fanned away to reveal muscles underneath them.

Page 75.

Page 94 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring four figures displaying the circulatory and digestive systems under the muscles of the abdomen.

Page 94.

Page 95 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring two upper bodies in armor displaying digestive systems under the muscles of the abdomen.

Page 95.

Page 101 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring a female cadaver and her reproductive organs.

Page 101.

Page 108 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring a cadaver with its fingers in another cadaver. Around the two cadavers are images of the heart.

Page 108.

Page 114 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring various views of the brain and its dura matter in six different levels.

Page 114.

Page 118 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring various images of the eye, a swine that is ready to be dissected and the various instruments that would be used to do the dissection.

Page 118.

Page 133 of Juan Valverde de Amusco's Anatomia del corpo humano, featuring the front and back sides of a cadaver displaying the circulatory system.

Page 133.

Where this page came from

This page was imported from National Library of Medicine. From the National Library of Medicine's Historical Anatomies on the Web; the essay is a work of the United States government and the plates, photographed by the library from books centuries old, are in the public domain.

Nobody has written it yet — it is the source material at a new address, which is why search engines are asked to skip it and why no one earns from it. It is up for grabs: take it on, and it is yours to rewrite and to earn from.

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Лицензия: CC0 1.0 (общественное достояние) · По материалам www.nlm.nih.gov

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