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By Margaret Kaiser

The Library has acquired two wonderful works on horses.

The first, Il Cavallo da maneggio… is by Giovanni Battista di Galiberto, a Neapolitan count and riding master to Emperor Ferdinand IV, King of Hungary and Bohemia. This book,  printed in 1650 in Vienna, Austria, is the first edition of this beautifully illustrated work on horses and horsemanship. Il Cavallo da maneggio… (the manege or riding arena horse) is divided into three parts.  The first part is devoted to the proper training of horses. The second discusses horsemanship and the third deals with the illnesses of horses.  The engraved plates depict horse training scenes and equestrian equipment including bridles, spurs, and harnesses.

Title page from Il Cavallo da maneggio by Giovanni Battista di Galiberto, 1650.

Title Page of Il Cavallo da maneggio, 1650

Page 65 headed Parte Terza and starting the text block with an illuminated letter C.

Opening page of part three which deals with diseases, injuries, and other aspects of veterinary medicine

A foldout illustration showing a rearing hourse encircled by a ring of numbered labels with lines to the illustration indicating the relevant part of the horse.

Folding plate shows not only the horse and its anatomy but also points out veins, and the sites of common ailments and wounds

The second work, is the first English edition of the Duke of Newcastle’s work on horsemanship, A General system of horsemanship, printed in 1743 in London, England. The Duke of Newcastle was renowned as a scholar and an athlete and was particularly famous as a horseman. He felt that there was a natural elegance and art of horsemanship and that riding in harmony with the horse was important. This comprehensive two-volume work, illustrated with exceptional engravings, is also a landmark in the evolution of the art of riding. The Duke of Newcastle’s humane system of training was based on the use of firm discipline rather than force and was very influential on the art of horsemanship. The first volume includes information on the care and training of horses, riding, and equestrian equipment such as saddles, harnesses, and bridles.

An open book displaying the title page.

Volume I of A General system of horsemanship…

An open book displaying the title page.

Volume II of A General system of horsemanship…

The second volume covers the causes and symptoms of the diseases and disorders of the horse, and their treatments, as well as the anatomy of the horse.  A dictionary of technical terms relating to horses is also included.

Superb plates accompany the descriptions of the bones and muscles of the horse. The descriptions are given in Latin and English. In addition to this plate depicting all of the bones of the horse, there are separate plates for the bones of head, the feet, and the ribs and vertebrae.

A copperplate engraving of the musculature of a horse.

Muscles of a Horse

A copperplate engraving of the skeleton of a horse.

Skeleton of a Horse

A colored copperplate engraving of a horse annotated with a list of injuries and indicating thier locations.

Ten plates describe the diseases incident to horses, showing the sites of the problems. This plate shows sprains, fluxions (discharges), and swellings.

A double page spread detailed copperplate engraving of a man holding a bridled horse in front of a large masonry building.

An ideal example of the Barb horse, a breed known for its strength and endurance, is pictured in front of Welbeck, the family home.

For questions about these titles, including how to consult them, please contact the History of Medicine Division Reference staff NLM Customer Support or (301) 402-8878.

Margaret Kaiser is Acquisitions Librarian for the Rare Books and Early Manuscripts Section in the History of Medicine Division at the National Library of Medicine.

Where this page came from

This page was imported from National Library of Medicine, Circulating Now. Published on the National Library of Medicine's Circulating Now blog and, as a work of the United States government, in the public domain; pictures credited elsewhere are left out.

Nobody has written it yet — it is the source material at a new address, which is why search engines are asked to skip it and why no one earns from it. It is up for grabs: take it on, and it is yours to rewrite and to earn from.

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Лицензия: CC0 1.0 (общественное достояние) · По материалам circulatingnow.nlm.nih.gov

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