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Young white man in head-and-shoulders portrait, wearing kimono

Charley Longfellow's photographic souvenirs of Japan include this image of himself dressed in a kimono and haori, adopting the guise of a "gentleman of Kioto." Charles Appleton Longfellow Papers (1008.2/1.1-2#70)

Japan captured the imagination of world traveler Charles Longfellow like nowhere else. He arrived in June 1871 and stayed for 20 months, enjoying local culture and buying whatever caught his eye. Through timing, luck, and his famous name, Charley Longfellow had almost unprecedented access as a foreigner in Japan. He spent most of his 20 months in Yedo (Tokyo) and Yokohama, but also traveled through Ainu country in Yesso (Hokkaido), inland across Nippon (Honshū) Island, and to Kyoto, Kobe, Osaka, and Nagasaki. At every stop along the way, he collected “curios” and souvenirs.

Charley spent freely, pursuing objects he saw as authentic rather than focusing on high art. He wrote his collection contained “such lots of rubbish … but I am fond of them as being thoroughly Japanese.” In 1873 Charley warned his father, the poet Henry Longfellow, that he was sending home “eighteen large cases…. Where we shall stow them all when they arrive, I can’t imagine.” Charley’s collection left traces of Japan throughout this house, overflowing into storage rooms then and today.

His stay occurred as the Meiji government ended two centuries of Japanese isolationism. Though their policies benefited him, Charley mourned the drive to westernize Japan, writing “One sees so many splendid old things which will never be produced again… the new fashion being to have everything European.” Charley’s collecting placed him on the leading edge of the “Japan Craze” that swept the United States in the late 1800s.

In 1874, Charley arranged his collection in his second-floor sitting room. The cluttered, crowded space combined Japanese decoration and western furniture, and was among the earliest American examples of a personal domestic space decorated in Japanese style. Longfellow’s collection was significant enough to attract the attention of William Sturgis Bigelow and Ernest Fenollosa, the founders of the Japanese collection at the Museum of Fine Arts, Boston, who viewed his room shortly after his death in 1893.

After Charley's death some of the collection was dispersed, but historic photographs and inventories identify many objects still in the museum collection at the Longfellow House.

Explore More

Detail of embroidered silk kimono with landscape scene

Kimonos in the Longfellow Collection

This virtual exhibit explores the kimonos collected by Charles Longfellow in Japan, and questions of cultural exchange and appropriation.

Bronze incense burner with raised vine decoration and sacred dog finial.

Asian Collections

The museum collections at Longfellow House include art and artifacts collected in or imported from Japan and China.

Hand-colored photograph of Japanese woman kneeling wearing blue kimono, holding instrument.

Charles Longfellow's Japanese Albums

Browse photograph albums collected by Charles Longfellow on the Longfellow House Digital Archive Portal.

Where this belongs

  • Longfellow House Washington's Headquarters National Historic Site

Where this page came from

This page was imported from National Park Service. Produced by the U.S. National Park Service and, as a work of the United States government, in the public domain.

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Licence: CC0 1.0 (public domain) · Adapted from www.nps.gov

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